Black Adam Review

Black adam. 

While a decent course correction, the hierarchy of power in the cinematic universe has not changed,d Dwayne Johnson does not so much take the DCEU soaring as centers it with some chance of cohesion.

The Shazam Mythos has always been a quirky beast, with talking tigers, psychic caterpillars, and intermittent moments between the darker aspects of being an orphan while retaining the perspective of wonder it’s never really been something one could see as being within .D.

I have been a fan of Black Adam for several years, mainly his stint within the Justice Society and many of that we see in this film. The film has been dwelling in the caverns of the rock of eternity for a decade, and it is lumbered with a script, archetypes, and one-liners that have been drafhow to make an edgy hero from 1997. Dwayne Johnson’s attachment to the Black Adam project spans over a decade and predates the Shazam movie itself, so for me, anticipation was high.

Ostensibly the advertising borders on Brightburn with the strstraplinehat If superman was a killer”, the reality is we have a film that seems to target a much younger audience for the bulk of the film, with a few wittier bits of wordplay for the dads, weirdly juddered with moments of OMG he blasted that man’s face off! With his face! Then milked the face! Beginning his face! What is he…and the whole man has gone now…with his FACE!

The Film is a part origin story in flashback and part raiders as a family of revolutionaries trying to recapture their nation’s independence from a criminal and scientific weapons conglomerate called INtergang. While tomb raiding for influence, they are attacked by mercenaries and happen to call out both Black Adam to save them and the McGuffin (the crown of Sabbac) to be there to protect them.

As teeth, Adam returns and terminator bonds with the young child in the family,y we see the powers of admin in Amanda waller as she sets the justice society on him. From this point, we have a classic: superheroes have a misunderstanding, hit each other a lot, realize a common bond, and then attack the enemy in the last act.

And this is where the review is problematic. On the one hand, the story has a specific trope of a rope. As charming as the performers are…there is no explanation, Ron how they are not the x men…because frankly,,,,they are the x man. For me, the spinning mace head was , of the things, the symbol of something that was …frankly unnecessary. Not least being the half-hour smack around. We just get a lot between the heroes.

There is not a cultural cliche or stereotype that is not so much dismantled as retooled, fuelled with nitro…and drives past one’s face shouting FAMILLYYYYYily every five minutes.

But, much like the Fantastic four films…That is very true of the shazam comics. They posed in many ways as Venom to chucks Captain Marvel.  And given the gods’ fury should see the marvel family and the children grow, I am keen to give Black Adam’s story of how that interaction would go.

The design work was also impressive, and I felt it visually brought a golden age of the justice society to the screen well. So for me, it was long and bloody, but there were some pleasant moments and the reframing of justice, and it’s not just taking on a ‘villain’ but also a beloved national hero. And what that means.

However, it’s not kryptonite, it’s eternium, random fights, and flights of fancy. And a boss-level lousy guy who looked like something on my PlayStation 3 and had my A button thumb itching for a DualShock so I could skip the FMV marred and weighed it down that those things could not lift the energy to carry the film of this weight.

I went to see it with a friend from Dio. he was far more critical than me. He responded that it was so rubbish he could not be upset. And boring.

Given the role of SHAZAM, I think it’s an entertaining diversion for 7-11, with maybe a few choice cuts. But this is a great ’90s film with decent digital remasters that can be skipped for the streams later.

here is the chat response

Overall, it seems that the review has mixed feelings about the film “Black Adam.” The reviewer mentions that while the film is a decent course correction, it doesn’t change the hierarchy of power in the cinematic universe. The Shazam Mythos has always been quirky, and the film seems to target a younger audience for the most part, with occasional moments of violence that may not be suitable for all ages.

The film is part origin story and part raiders, with a classic trope of superheroes having a misunderstanding, hitting each other a lot, realizing a common bond, and then attacking the enemy in the last act. The design work was impressive, visually bringing the golden age of the justice society to the screen.

However, the review notes that the story is tropey, and the performers’ charm doesn’t quite make up for the lack of explanation on why they are not the X-Men. The spinning mace head was considered unnecessary, and there were many random fights and flights of fancy that weighed the film down.

The film reframes justice by not just taking on a villain but also a beloved national hero, and the review finds this aspect interesting. But, in the end, the film may only be entertaining for younger audiences and can be skipped for streams later.